Every 366 Concept piece begins with an original drawing from the mid-twentieth century — by designers trained at fine arts academies, shaped by study in Copenhagen and Helsinki, and committed to furniture that is honest in its materials and made to last.
Welcome to the world of 366 Concept
DISCOVER See More OUR STORIES See More 366 Series: Our Legacy 200-190 Series: Modern Form, Subtle Lines Stefan Series: Comfort Meets Functionality Fox Series: Simplicity & Nobility VAR Series: The Story of a Bridge Companion Sideboards: Beautiful & Functional Journal TRENDING See More Bestsellers New Arrivals
FURNITURE See More SEATING FURNITURE See More Armchairs Chairs Bar Stools Backless Bar Stools Footrests Sofas Benches View All OTHER FURNITURE See More Sideboards Desks & Tables Coffee Tables View All SERIES See More 366 Series Fox Series 200-190 Series Stefan Series Bunny Series VAR Series View All
Built on a legacy of mid-century craftsmanship and design, we are dedicated to bringing timeless furniture back to life. We hold exclusive rights to reissue the work of acclaimed designers – faithful to their original drawings, crafted with the care and materials their creations always deserved.
We hold exclusive rights to their work, granted by their families. Some pieces are faithful reissues built from original technical drawings. Others extend a designer’s idea into forms they never had the opportunity to implement. In every case, we honour the thinking behind the original vision.
Edmund Homa learned his discipline designing ship interiors, every centimetre accounted for — and you can see it in the Homa 104 of 1966, a single continuous line closer to sculpture than joinery. A scholarship to Ole Wanscher's studio in Copenhagen followed in 1968.
Henryk Lis lost his left hand as a political prisoner, then drew one of the most quietly elegant chairs of the era: the compact 300-190 of 1966. The state never put his name on it, so the chair took it anyway — today it's the Fox, lis being the Polish word for fox.
Rajmund Hałas came back from a scholarship in Finland with an instinct for lightness — structural clarity, nothing spare. It carries straight into the 200-190 of 1963: a slim frame under a single curved backrest, one of the decade's most recognised silhouettes.
OUR STORIES See More 366 Series: Our Legacy 200-190 Series: Modern Form, Subtle Lines Stefan Series: Comfort Meets Functionality Fox Series: Simplicity & Nobility VAR Series: The Story of a Bridge Companion Sideboards: Beautiful & Functional Journal
资料来源：企业官网公司介绍页面（复核日期：2026-10-29）。